Imagine stepping onto the red carpet in a gown that whispers both vintage glamour and modern edge. That’s exactly what Sarah Pidgeon did at the New York City premiere of FX’s Love Story: John F. Kennedy Jr. & Carolyn Bessette. But here’s where it gets controversial: Was her Chanel ensemble a nod to timeless elegance or a bold statement in a sea of contemporary trends? Styled by Emma Jade Morrison, Pidgeon donned a piece from Matthieu Blazy’s pre-fall 2026 collection, a sleeveless dress with a plunging neckline that paid homage to the Art Deco movement. The bodice, adorned with diamond shapes, channeled a 1930s-inspired silhouette, while beaded detailing gave way to a playful drop waist and a soft turquoise plumage skirt. And this is the part most people miss: Beneath the gown, Pidgeon wore black trousers, a subtle yet daring choice that added depth to the look, though they remained hidden from view. Her ensemble was completed with pointed-toe black pumps, a black bow at the neckline, and a middle-parted, natural hairstyle by David von Cannon, complemented by Shayna Goldberg’s soft makeup artistry.
Matthieu Blazy, who took the helm as Chanel’s artistic director in December 2024, debuted his first Métiers d’Art collection in the unconventional setting of New York City’s subway system in December 2025. Here’s the bold question: Can high fashion truly thrive in such an everyday environment? Emily Mercer of WWD noted the collection’s ability to span eras, from 1920s beehive hairdos to ‘80s power suiting, all inspired by Gabrielle Chanel’s iconic wardrobe. Striking tweed jacket and skirt sets featured handwoven leopard motifs, while silks mimicked Astrakhan fur, and a tweed-embellished version of the 1931 Tonight or Never film poster—for which Chanel designed costumes—added a cinematic touch.
Pidgeon stars alongside Paul Anthony Kelly in the series, executive produced by Ryan Murphy, which chronicles the 1990s romance of John F. Kennedy Jr. and Carolyn Bessette. Set to debut on FX and Hulu on February 12, the show promises to captivate audiences with its blend of history and drama. But here’s the thought-provoking question for you: Does Pidgeon’s Chanel look reflect the timeless elegance of Bessette’s style, or does it introduce a modern twist that might divide fashion enthusiasts? Let us know your thoughts in the comments!
